Recent Reviews


Refined Chopin with a little Frenchman love.

Thibaudet Chopin

Ahhhhh, the Chopin I love. Makes me think of one of those treacly classical CD covers picturing an oceanside cliff face staring into the sunset (don't forget to imagine wind whooshing sounds). Strange that all London Decca could come up with is  a gaunt Frenchman sitting on a park bench and staring at the camera with a self-satisfied grin. Pity. Luckily, though, Mr. Thibaudet is much more pleasant to listen to than look at. On the whole, his is a virile, extroverted Chopin. Which quite surprised me coming from a guy who's been known to wear lipstick, bleach his hair, and bedeck himself in Liberace-esque attire.

Read the full review of Jean-Yves Thibaudet: The Chopin I Love.


A refined gentleman who's sometimes too polite.

Lipatti

As with his American contemporary William Kapell, the death of Romanian pianist Dinu Lipatti as a thirtysomething was, from the perspective of his legacy, both a misfortune and a boon. For, although the death of a musician at so tender an age robs us of later entries in his discography—presumably what would be the exemplars of his age-matured style—it also attaches a certain mystique to his artistic persona. Untimely death aside, the question is whether his recordings merit the legendary status to which many aficionados have elevated them.

Read the full review of Dinu Lipatti: The EMI Recordings.


He digs hard but never finds gold.

Sokolov pic

I have often heard the pianism of Grigori Sokolov recommended as an antidote to  the barn-storming circus antics of the likes of Lang Lang, Evgeny Kissin, and Ivo Pogorelich. Given the corpulent Russian's discography, it's easy to see why. In addition to a healthy dosage of Chopinmusic that any serious professional pianist is expected to study thoroughly and recordthe canonical works of the "three B" Germans feature prominently: Bach's Italian Concerto, Goldberg Variations, and Well-Tempered Clavier; Beethoven sonatas and Diabelli variations; Brahms sonatas and late piano works. If such obvious intellectual posing interested me, I'd be willing to join the throngs who have raised him up on a pedestal as the paragon of a Russian musician's musician, one who "puts the music and composer's intentions above his own personality."

Read the full review of Sokolov: Chopin Sonata No. 2, Preludes, and Op. 25 Etudes.



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